The Poetic Memory II |
Monday Jul 02 2007

By Stu Whitley
Bio
This is the second post in a four-part series.
Poetry is sometimes the casualty of an age where rational clarity is considered supreme. If the message of the poet is not apparent at the first go, chuck the damn thing. This, of course, ignores the obvious reality that to try and capture all that reposes within our innermost thoughts on a particular matter may not be easily condensed and dispensed as received wisdom. I think our ability to speak clearly on important things is seriously exaggerated. Kant observed that there’s no great art in being generally comprehensible if one renounces insight. He thought that the result was a bunch of patched up observations and half-reasoned principles, which he considered to be the enjoyment of “shallowpates” in “everyday chitchat”. Jacques Maritain wrote in Creative Intuition in Art & Poetry:
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